Longarm Quilt #35 Autumn Wedding Quilt – using a panto for free motion & other firsts

My friend, Susan, had me quilt this as a wedding gift for a relative so I was REALLY nervous.  But, of course, I had to incorporate a lot of firsts - making a stencil, using pounce chalk and learning a freehand design from a panto.

It’s a small quilt using the Potato Chip pattern from our LQS, thequiltersmarket.com. I wanted some fancy custom quilting since it was for a wedding. I used a really pretty stencil from Urban Elementz called Dusty Miller for the plain blocks because I knew it would really show.

I knew the quilting wouldn’t show much in the blocks with the print fabric so I found a simpler design in my Quilting Dot to Dot book from goldenthreads.com by Cheryl Barnes. I drew the design onto stencil plastic and cut it out with a stencil burner.

The Homemade Stencil Block

The Back

I used the Aloha sashing pantograph, also from urbanelementz.com for the borders. So I used 3 different designs that had a similar "feeling". 

I didn’t want to turn the quilt to line up the panto, but I thought I could get the design into my muscle memory and quilt it freehand. I used my trusty plexiglass on top of the panto and traced over and over (and over) with a dry erase marker. (For more details about this technique, see my 8/26/13 posting.) Then I drew it on plain paper until it was in my head and it worked!

The freehand sashing!

A view of the back

I still remember taking a deep breath before quilting every block! But looking back, I'm really happy with how it turned out.

Way back: Longarm quilt #2 - This One's For Daniel

This is the very first quilt I did on my Longarm for someone. It was for my first grandson – a shower gift before he was even born!

Somehow, I only got one picture of it. :( 

When I got my longarm, I practiced on muslin, then I did a panel that I call “Is there something to do?” that I blogged about back in August.

Danny's quilt is also the first pantograph I ever did. A pantograph is a quilting design that's drawn out repeatedly on a really long roll of paper that sits on a shelf at the back of the longarm machine. You look at the paper and use a laser light attached to the top of the machine to trace the design. As you move the machine, it sews the design on the quilt. Maybe I should add a picture of the setup, huh?

The panto I used for this quilt is called double bubble and I had trouble doing nice round shapes. It makes me so nervous trying to trace the panto that I don’t do them often.

I also prefer to quilt from the front so I can see what’s going on with the quilt. You can get a little off on the panto as you’re moving across the quilt and you’ll have overlap (yes, I’ve had this happen).

This was a kit that I bought from my LQS thequiltersmarket.com . The small faux 4-patch pieces were blanket stitched on with a variegated thread. Overall, I think it turned out cute.

TIP: A different way to use pantos - Trace around a panto design many, many, many times to get muscle memory and then do the design freehand. This seems to work much better for me. I talk about this next time!